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Schedule

19 May 2014

Arrival Day

20 May

  8:30-  9:00

Opening Session

  9:00-  9:15

Opening of the Programme

  9:30-12:30

Seminar 1: Clare Wallace (Prague):
Interpretation and Indecision: Early Modern Drama and Cultural Memory

Seminar 2: Rui Carvalho Homem (Porto):

Trajectories of the Sonnet in Sidney and Shakespeare

Seminar 3: Paul Franssen (Utrecht):

Love, Commerce and Conflict: Marlowe’s Jew of Malta, Shakespeare’s Merchant of Venice and poems by Shakespeare and Donne

Seminar 4: Sabine Schülting (Berlin):

Early Modern Material Cultures

Seminar 5: Paola Spinozzi (Ferrara):

Thomas More’s Utopia (1516) as the Prototype of a Transnational Literary Genre

Seminar 6: Laura Campillo (Murcia):

“Remember Me”: Hamlet, Richard II and Sonnets

Seminar 7: Agnieszka Romanowska (Krakow):

Theatrum Mundi and the Dramatic Quality of John Donne’s Poetry

Seminar 8: Jean-Christophe Mayer (Montpellier):

The Early Modern Reception of Shakespeare in Print and the Rise of Shakespearean Cultural Capital

14:00-16:00

Lecture 1: Clare Wallace (Prague):

Combat, Commerce and Heritage: Shakespeare on the British Stage since the WWII

Lecture 2: Laura Campillo (Murcia):

Shakespeare, Disney and The Tempest

16:00-17:00

Setting up the electronic discussion and publication platform

17:00-19:00

Film screening

21 May

  9:00-12:00

Seminars 1-8 (as on 20 May)

14:00-17:00

Lecture 3: Paola Spinozzi (Ferrara):

European Models of Society and Culture in Thomas More’s Utopia (1516), Tommaso Campanella’s La città del Sole (1602) and Francis Bacon’s New Atlantis (1627)

Lecture 4: Rui Carvalho Homem (Porto):

Transaction, mortification: body and city in Ben Jonson

Lecture 5Agnieszka Romanowska (Krakow):

“This is my play’s last scene”:John Donne’s Poetry in Wit by Margaret Edson

17:00-19:00

Interviews for Internships (shortlisted candidates)

19:00-20:00

Discussing seminar paper topics on the electronic platform.

22 May

  9:00-12:00

Seminars 1-8 (as on 20 May)

14:00-17:00

Lecture 6: Sabine Schuelting (Berlin):

A World of Things: Material Objects in Early Modern Drama

 

Lecture 7: Jean-Christophe Mayer (Montpellier):

First Folio Readers’ Marks—Monumentalizing Shakespeare and Empowering the Self

 

Lecture 8: Paul Franssen (Utrecht):

Authorship, Status and Money: Fictions of Shakespeare and Oxford

17:00-20:00

Discussing seminar presentations on the electronic platform

Preparing power-point presentations

23 May

  9:00-13:00

Student Power Point Presentations, Seminars 1-4

15:00-19:00

Student Power Point Presentations, Seminars 5-8

19:00-20:00

Discussion of student presentations

24 May

  9:00-18:00

Reading (students)

18:00-21:00

Evaluation and Planning Meeting (teachers)

25 May

12:00-18:00

Excursion to the National Theatre in Prague – Historical Building, Estates Theatre, New Stage.
Lecture: History of Czech Translations and Productions of Shakespeare (Martin Procházka)

26 May

  13:00-16:00

Workshop 1: Theatre Management and Dramaturgy
Marta Ljubková (The National Theatre in Prague)

16:00-19:00

Workshop 2: Publishing Management
(Petr Onufer - Argo Publishers)

27 May

  9:00-12:00

Seminar 9: Martin Procházka (Prague):

Between Restricted and General Economies: Hamlet and Jonson’s Bartholomew Fair

Seminar 10: Fatima Vieira (Porto):

Utopia and Society: Strategies for Change in a Context of Crisis

Seminar 11: Ton Hoenselaars (Utrecht):

Shakespeare Staged behind Barbed Wire: Towards an Alternative Reading of the Sonnets, Hamlet, and Richard II

Seminar 12:  Andreas Mahler (Berlin):

States of Exception on the Early Modern Stage

Seminar 13: Richard Chapman (Ferrara):

“When All Is Said And Donne”: The Sonnets of Shakespeare, Spenser and Donne as Works of Love, Conflict and Memory

Seminar 14: Clara Calvo (Murcia):

Shylock’s Afterlives

Seminar 15: Marta Gibińska (Krakow):

Renaissance Tragedy as a Mirror to Disintegration of Social and Moral Values

Seminar 16: Florence March (Montpellier):

Hamlet on 21st Century European Stages

14:00-16:00

Lecture 9: Richard Chapman (Ferrara):

“Small is beautiful?” Shakespeare’s Sonnets as a Linguistic Corpus

Lecture 10: Martin Procházka (Prague):

“New Languages”: Pragmatism, Rhetoric and War in Early Modern Theatre

16:00-18:00

Film Screening

18:00-19:00

Discussing seminar paper topics on the electronic platform

28 May

  9:00-12:00

Seminars 9-16 (as on 27 May)

14:00-17:00

Lecture 11: Fatima Vieira (Porto):

Utopia III (1998) by Pina Martins: Rewriting Utopia for the 20th century

Lecture 12: Clara Calvo (Murcia):

Portia and the Suffragists: Gender Conflict in The Merchant of Venice

Lecture 13: Marta Gibińska (Krakow):

Memory of Tragedy and the Early Modern Commerce

17:00-18:30

Film Screening

18:30-20:00

Discussing the publication of selected seminar papers from Week 1 on the electronic platform

29 May

  9:00-12:00

Seminars 9-16 (as on 27 May)

14:00-17:00

Lecture 14: Ton Hoenselaars (Utrecht): 

Shakespeare & Hitler

Lecture 15: Andreas Mahler (Berlin):

Shakespearean Enclaves

Lecture 16: Florence March (Montpellier):

Shakespeare in the Avignon Festival: Breaking Down the Walls

17:00-20:00

Discussing seminar presentations on the electronic platform

Preparing power-point presentations

30 May

  9:00-14:00

Student Power Point Presentations, Seminars 9-13

16:00-19:00

Student Power Point Presentations, Seminars 14-16

19:00-20:00

Discussion of Student Presentations. Conclusion of the IP

20:00-21:00

Student and teacher evaluations (filling in questionnaires)

31 May

Departure Day

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