Seminar 1:
Interpretation and Indecision: Hamlet and Cultural Memory

Clare Wallace (Charles University in Prague)

klara.wallace@gmail.com

TOPIC DESCRIPTION
Questions of memory are writ large across Hamlet and various interpretations of the play. The ghost’s injunction to “Remember” opens to an interrogation of how memory might work, the interactions between memory and repetition, reiteration and the revenant and what ends remembering may serve. The seminar will revolve around two premises. The first, and obvious, is that Shakespeare’s Hamlet is a drama in which memory plays a vital role. We will consider what Frances A. Yates describes as “the art of memory” within the play and the outcomes of remembering or forgetting. We will then turn to how memory in Hamlet has been interpreted by selected critics. The second premise follows Marvin Carlson’s contention in The Haunted Stage that theatre functions as a “repository of cultural memory.” From this base we will consider various definitions and theories of cultural memory and will attempt to map Hamlet’s role in the interplay between past and present.

PROVISIONAL SCHEDULE
Session 1: Memory and Forgetting – the play
Session 2: Memory and Forgetting – critical perspectives
Session 3: Cultural Memory and the Uses of Shakespeare

MATERIALS
Assmann, Jan and John Czaplicka. “Collective Memory and Cultural Identity.” New German Critique 65 (Spring/Summer, 1995): 129.

Bal, Mieke, Jonathan Crew and Leo Spitzer eds. Acts of Memory: Cultural Recall in the Present. Hanover: UP of New England, 1999.

Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: U of Michigan P, 2001.

Drakakis, John. “Acts of Memory and Forgetting in Shakespeare’s Hamlet.” Confrontations and Interactions: Essays on Cultural Memory. Eds Bálint Gárdos et al. Budapest: L’Harmatton, 2011. 259-278.

Ricoeur, Paul. Memory, History, Forgetting. Trans. Kathleen Blamey and David Pellauer. Chicago: Uof Chicago P, 2004.

Semenza, Greg Colón ed. The English Renaissance in Popular Culture: An Age for All Time. Houndmills: Palgrave, 2010.

Sullivan, Garret A. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe and Webster. Cambridge: Cambridge UP, 2005.

Wilder, Lina Perkins. “Shakespeare and Memory” Literature Compass 9 (2012): 549-559.

Yates, Frances A. The Art of Memory Chicago: University of Chicago Press, 1966.

ASSESSMENT
The first seminar grade expresses the activity in the seminar discussion. It can range from 0 to 10, the pass limit is 5. The second seminar grade assesses the quality of paper proposals (300 words minimum), the share of the student in the preparation of the final presentation, its contents and standard. It can range from 0 to 15, the pass limit is 8. The final essay grade is expressed in points from 0 to 30, the pass limit is 15. Deadline for the submission of the essay: 15 July 2013. Length of the essay: 3000-4000 words. The maximum number of points acquired for the 2 seminars and an essay is 80 (25+25+30). For the participation in a workshop 5 points are acquired (10 points for two workshops). For the the submission of an internship application 5 points are acquired and 10 points fort the shortlisting for the internship.